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Two Timelines. One Industry. Inside Banff 2026.

  • 4 days ago
  • 2 min read


The 2026 Banff World Media Festival had two distinct vibes: optimism and skepticism.


On the policy side, more questions than answers


The backdrop heading into Banff was already complex. In late May, the CRTC issued decisions aimed at modernizing the broadcasting framework: a new discoverability regime for Canadian and Indigenous content, and a revised Canadian Programming Expenditure structure for broadcasters and streaming services. Then, just days before the festival, the federal government pledged $600 million annually to stabilize the audio and audiovisual sectors, while directing the CRTC to revisit the contribution rates it had just set for streaming services. What will contribution requirements look like once the dust settles? How will discoverability obligations be measured? On what timeline does any of this become operational?


Meanwhile, the creator economy keeps moving


The energy around the creator economy at Banff was different, less fraught, more forward. Creators are building direct audience relationships, and the models are working. CAA’s recent launch of Compound Creative Holdings is one marker of something bigger: established industry infrastructure reorganizing itself around the creator economy. Veteran studios and production companies are building in verticals, structuring creator collaborations, treating these formats as legitimate development pipelines.


Deloitte’s 2026 Media and Entertainment Industry Outlook pins the underlying audience reality: for a growing number of viewers, watching on social platforms and watching on streaming services are the same thing. One audience, moving across screens, following content and creators wherever they go.


Two timelines. One industry.


That’s the tension Banff 2026 made visible. Policy and funding move into implementation over years. The creator economy moves week to week, attracting talent, capital, and audiences in real time. They’re not separate industries on separate tracks, they’re competing for the same audience, and the gap between their timelines is where the real strategic risk lives.


Will the regulatory framework catch up to where audiences already are?


At Magnify Digital, it’s a question we sit with daily, working with clients navigating the regulatory shift and creators building audiences from scratch. The audience doesn’t wait for policy to catch up. The data is there. The opportunity is in using it.

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